THE CROSS IN BYZANTINE ART: ICONOGRAPHY SYMBOLISM AND MEANING

Dr. Yaşar ÖZRİLİ

Kaynaklar

Alp, S. (2018). İstanbul Hristiyan Mezarlıklarında Hayvan Sembolleri, Sanat ve Tasarım Dergisi, 7(1), 198-213. doi.org/10.20488/sanattasarim.563684.
Aydın, M. (2002). Bizans Kilisesinde İkonoklast (Tasvir Kırıcı) Hareketin Kökenleri. Necmettin Erbakan Üniversitesi İlahiyat Fakültesi Dergisi, 13(13).
Bayram, F. (2021). Tao Klarceti Bölgesindeki Kültler ve Çapraz Motifler, Lycus Journal,4, 89-162. doi.org/10.54577/lycus.1027099.
Benson, G. W. (2013). The cross: Its history and symbolism. Courier Corporation.
Bergen, DL (2000). The twisted cross: The German Christian movement in the Third Reich. University of North Carolina Press.
Buettner, B. (2022). Mineral and Visual: Gemstones in Medieval Secular Culture, Penn State Press.
Boys, M. C. (1994). The cross: should a symbol betrayed be reclaimed?. CrossCurrents, 5-27.
Dilasser, M. (1999). Symbols of the Church. Liturgical Press.
Drewer, L. (1996). Erken Hıristiyanlık ve Bizans İkonografisine Son Yaklaşımlar. İkonografi Çalışmaları, 17, 1-65.
Duits, R. (2016). Byzantine icons in the Medici collection. in Byzantine Art and Renaissance Europe. Routledge.
Eser, A. M. (2020). Bizans Maden Sanatı Dini Törenlerde Kullanılan (Litürjik) Eşyalar, Ankara: Bilgin Kültür Sanat,
Folda, J. (2021). Two ıcons of the Virgin and Child Hodegetria from st. Caherine’s Monastery on Mount Sinai, E. Baboula and L. Jessop, (Eds.), Art and Material Culture in the Byzantine and İslamic World, Boston: Brill.
Gauding, M. (2009). Signs and Symbols in The Bible: The Definitive Guide to Mysterious Sign s. Sterling Publishing Company, Inc.
Gouma, P. T. (1994). An 18th Century Deesis Icon and Its Cultural Context. Δελτίον της Χριστιανικής Αρχαιολογικής Εταιρείας, 331-346.
Guénon, R. (2001). The Symbolism of the Cross. Sophia Perennis.
Gül, A. (2018). Haçın Hristiyan Teolojisindeki Yeri ve Önemi. Mardin: Şırnak Üniversitesi Yayınları.
Goring, R. (1995). Dictionary of Beliefs aud Religious, Wordsworth Editions, London.
Greene, K. (1974). A Christian Monogram from Richborough, Roman Research Development Association, Britanya, 5, 393-395
Habaş, L. (2015). Theodosius Fermanı Arka Planında Arabistan Eyaleti ve Yakın Bölgelerdeki Kiliselein Mozaik Zeminlerindeki Haçlar, Journal of Mosaic Research (8), 33-60.
Kahveci, K. (2018). Tanrı’nın Fısıltısı: Bir Mistiğin Dilinde Merhamet/God’s Whisper: Mercy in The Language of a Mystic, Atatürk Üniversitesi Sosyal Bilimler Dergisi, 58, 115-129.
Kanmaz, S. (2022). Karanlık Kilise’deki İsa Tasvirli Fresklerin Tarihsel Belge Değeri Kapsamında Korunma Durumunun Değerlendirilmesi. Akdeniz Sanat, 16 (29), 165-181.
Kenna, M. E. (1985). Icons in Theory and Practice: The Case of the Orthodox Christian. History of religions, 24 (4), 345-368.
Kilde, J. H. (2008). Sacred Power, Sacred Space: an İntroduction to Christian Architecture and Worship, Oxford University Press.
Koçyiğit, O. (2020). Erimtan Arkeoloji ve Sanat Müzesi Bizans Dönemi Maden Haçları, Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi, 35 (2),110-121.
Kovarik, S. (2023). Antonella Ghıgnolı – M. Boccuzzı-A. Monte and N. Sıestıs (Eds.), The Evolutıon of The Notarıal Sıgnature ın Late Antıque Egypt, Segnı, Sognı, Materıe e Scrıttura Dall’Egıtto Tardoantıco All’Europa Carolıngıa.
Ladner, G. B. (1955). St. Gregory of Nyssa and St. Augustine on The Symbolism of The Cross in Kurt, W. (Ed.),Late Classical and Mediaeval Studies in Honor of Albert Mathias Friend Jr. Princeton University Press, Princeton, New Jersey.
Lanzi, F. and Lanzi, G. (2004). Saints and Their Symbols: Recognizing Saints in Art and Popular İmages. Liturgical Press.
Mahr, A., C. (1943). The Gipsy at the Crucifixion of Christ. The Ohio State University.
Malone, P. (1997). Jesus on our Screens. New image of religious film, 4, 57-71.
Norris, H. (2002). Church Attire: Origin and Development, Mineola, NY.
Özbek, İ. (2011). The Seven Sayings of Jesus on the Cross. GDK.
Redknap, M. (1991). Christian Celts: Treasures of Late Celtic Wales, Cardiff: National Museum of Wales. P. 61.
Rutledge, F. (2015). The crucifixion: understanding the death of Jesus Christ. Wm. B. Eerdmans Publishing.
Sava, A. F. (1957). Mesih'in Yanındaki Yara, Katolik İncil Üç Aylık 19, 343-346.
Schirrmacher, C. (2018). Islam's View of Important Christian Teachings: The Role of Jesus Christ, Sin, Faith and Forgiveness, Ankara.
Stevens, J. (2015). Latin, Oxford Dictionary of Architecture and Landscape Architecture, London.
Steffler, A.W. (2002). Symbols of The Christian Faith. Wm. B. Eerdmans Publishing.
Stoykov. A. (2014). Language of Space ın Byzantıne Iconography, Bulgaria: Rousse, 2014 А and a communications Ltd.
Şakiroğlu, M. H. (1996). Cross, DİA, Istanbul XIV. S22.
Taş, T. ve Özcan, F. (2015). MS 4.-7. Yüzyıllar Arasında Haç Motiflerinin Gelişimi, Süleyman Demirel Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 21, 247-275.
Tunç, İ. (2022). Jesus and Satan Dialog in the Canonical Gospels: A Comparative Approach, Oksident, 4, (2), 207-232.
Vladimirescu, M. V. (2010). The Crucıfıxıon of Jesus Chrıst. The Orıgıns of The Cross and ıts Ancıent Meanıngs. Anuarul Institutului de Cercetări Socio-Umane “CS Nicolăescu-Plopșor”, (XI), 41-50.
Yıldız, M. (2019). Anadolu’da Bizans Dönemi Duvar Resimlerinde I. Constantınus ve Helena ile Beraber Gerçek Haç Betimlemeleri (Master's thesis, Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü).
Williamson, B. (2004). Altarpieces, Liturgy and Devotion. Speculum, 79 (2), 341-406.
Wilkinson, J. (1972). The Physical Cause of Christ's Death, Expository Times 83 (4), 104- 107.

DOI: https://doi.org/10.58642/kutbilim
Yayın Tarihi: 29.12.2023

Özet | PDF